Kali Uchis is heading back on the road this spring with the announcement of her “For The Girls Tour,” a North American run featuring Mariah The Scientist, with LAILA! joining on select dates.
The tour begins May 26 at Red Rocks Amphitheater and stretches across the country before wrapping August 8 at T-Mobile Arena. Along the way, Uchis will move through a mix of amphitheaters and festival stages, including stops in Atlanta, Tampa, Houston, and Phoenix, as well as appearances at Sueños and Governors Ball.
Tickets go on sale April 2 at 10AM local time, following a series of presales beginning March 31. VIP packages will also be available, offering fans early entry, exclusive merchandise, and access to a dedicated lounge experience.
The announcement arrives at a moment when Uchis is operating at full scale. Her recent releases and sold-out arena runs have pushed her into a different tier, one where genre lines feel increasingly irrelevant. R&B, Latin pop, soul, and alternative textures all coexist in her catalog without friction, and her live shows tend to mirror that fluidity, shifting between intimacy and spectacle without warning.
Bringing Mariah The Scientist across all dates sharpens the emotional tone of the tour. Her writing leans inward, diaristic and precise, a counterbalance to Uchis’ more cinematic approach. On select nights, LAILA! adds a newer voice to the lineup, one that feels plugged directly into the next wave of R&B without overthinking it.
If the last tour was about scale, this one reads more like intention. The title alone signals a shift in framing, less about spectacle for its own sake, more about who the space is being built for. That difference tends to show up in the details: pacing, set design, the way a room is held rather than just filled.
For Uchis, that control has been hard-earned. Years of crossing between languages, scenes, and expectations have left her with something rarer than versatility. She’s built a world that doesn’t need to explain itself anymore. This tour feels like an extension of that, less introduction, more arrival.
Featured image credit: Universal Music Group
